Thus people will gain a greater understanding of what is wrong with society, and will be able to improve it. When a younger and better salesman comes along, men like Willy are almost always doomed.īut by placing this in front of the audience and dramatising it for them, Miller invites his audience to question the wrongs within modern American society.
Capitalism’s dog-eat-dog attitude is at least partly responsible, since it leads weary and worn-out men like Willy to dream of paying off their mortgage and having enough money, while simultaneously making the achievement of that task as difficult as possible. In the process of doing this, and attaining his dignity, the tragic hero often loses his life, but there is something affirmative about the events leading up to this final act, because the audience will be driven to evaluate what is wrong with society that it could destroy a man – a man willing to take a moral stand and evaluate himself justly – in the way that it has.ĭoes Willy Loman deserve to be pushed to take his own life just so his family can pay the bills? No, so there must be something within society that is at fault. A New York Times Critic's Pick, the production in New York features a new cast of supporting actors, including Khris Davis ("Atlanta"), McKinley Belcher III ( A Soldier's Play), and Tony Award® winner André De Shields ( Hadestown).ĭirected by Miranda Cromwell – who won an Olivier Award alongside co-director Marianne Elliott for the West End and Young Vic productions – this "unmissable" (Los Angeles Times) interpretation of Miller's classic drama illuminates the dark underbelly of the American Dream and its elusive promise of equality and opportunity for all.But contrary to what we might expect, there is something positive and even affirmative about tragedy, as Arthur Miller views the art form.įor Miller, in ‘Tragedy and the Common Man’, theatrical tragedy is driven by ‘Man’s total compunction to evaluate himself justly’. Olivier Award nominee Wendell Pierce ("The Wire," "Jack Ryan") and Olivier Award winner Sharon D Clarke ( Caroline, or Change "Doctor Who") reprise their roles as Willy and Linda Loman in a story told – for the first time on Broadway – from the perspective of an African American family.
Following a critically acclaimed run in London, "a volcanic new Death of a Salesman has erupted on Broadway” raves The Washington Post.
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